*Jin (Jurchen) Dynasty (1115-1234)

*Southern Song (1127-1279)

Mid-to-Late Imperial China

Northern Dynasties

Liao (Kitan) Dynasty 907-916-1125

Xi Xia (Tangut) Dynasty ca. 982-1038-1227

Jin (Jurchen) Dynasty 1115-1234

Yuan (Mongol) 1260-1279-1368

China-based Dynasties

N. Song (960-1127)

Capital at Kaifeng

S. Song (1127-1279)

Capital at Hangzhou

Ming (1368-1644)

Qing {Manchu} (1644-1911)

*Jurchen Origins

Spoke Altaic language (Tungusic)

Forest dwellers “uncooked”

E. Manchuria
Hunt and fish

Plains dwellers “cooked”

C. Manchuria (Sungari River) from 10th c.
Agriculture, cattle and horse raising

Hunting and war important male pursuits

Jurchen rise to power

Wanyan clan of “Uncooked” Jurchen

Sungari R. Tributary, SE of Harbin

Wugunai (1021-74)

Tribal unifier/Liao Tributary

*Aguda (r. 1113-1115-23)

Refused to dance, 1112

Independent of Liao, 1115

Founded Jin dynasty, 1115

Conquered Liao, 1125

Conquered North China from the Song, 1126

China-centered Regime

Controlled cradle of Chinese civilization

“the land of Yao, the region of Shun, the realm of Yu”

Chen Liang (1143-94)

Population

50 million under Jin

70 million under S. Song

Dominant Regimes in Multistate system: Liao and Jin

Liao Treaty with Song, 1005

Relative status of rulers

Emperors as brothers

Song's Annual gifts

200,000 bolts of silk

100,000 ounces of silver

Jin Treaty with Song, 1127

Relative status of rulers

Jurchen ruler as uncle

Song ruler as nephew

Song's Annual gifts

300,000 bolts of silk

1 million strings of coins

300,000 ounces of silver

Significance of Northern Dynasties

Cultural synthesis

Arose in China-Inner Asia borderlands

Adopted some Chinese practices

Process seen earlier in Korea, Japan, Vietnam, etc.
Modified bureaucratic government

Written language

Population Trends

Population growth

60 million, mid-Tang

100 million, N. Song in 1100

Population, ca. 1200

North: 50 million under Jin

South: 70 million under S. Song

Urbanization (grain and cheap water transport)

S. Song Hangzhou, 4 million

 

Technological advances

Iron

Production of 125,000 tons of iron, 1078

1.4 kg (3.1 lbs.)/person

Not matched in Europe until 1700

Papermaking

Proto-paper, 1st c. AD
Commonly used, 3rd-4th c.

Woodblock Printing

Buddhist invention 7th c.

Books in scroll format 9th c.

Diamond Sutra, 868

Diamond Sutra full printed scroll

Bookbinding

Moveable type, 1048

Social consequences of printing?

Rise of the Scholar-Officials

Officials in Government Passing Civil Service Examinations

Entrance into civil service

Jinshi “presented scholar” highest degree

Yin "shadow" privilege persists

Change in content from Tang to Song

Tang emphasized literary ability

Song emphasized Confucian classics

What are the social consequences of the availability of printed books on paper?

Status of Women in Imperial China

N. Song (960-1127)

“Peace Reigns over the River,” (Hansen, 258-62)

Where are the women?

Tomb of Master Zhao and wife, 1099 (Hansen, pp. 248-50)

A seat at the table

Southern Song Women

Depictions of Idealized Females in “Wenji’s Return to China” Paintings

S. Song version, mid-12th c. (Museum of Fine Arts, Boston)

Jin court painting, 1196 (Jilin Provincial Museum)

*Footbinding

Elite households

Perpetuation

Old view

Male domination

New view

Marriageability

Female enforcement

Hansen thesis: Commodification of marriage

Patrilinealism reinforced in elite families

Widow remarriage

Brook, The Troubled Empire, 1-23

Yuan Dynasty {Mongol} (1260-1279-1368)

Ming Dynasty (1368-1644)

1. In the Introduction, Timothy Brook describes how researching and writing the book, The Troubled Empire, changed his ideas about the Mongol-ruled Yuan Dynasty and Chinese-ruled Ming Dynasty.

How did his ideas change?

What aspect of his research prompted him to change his ideas?

Why does Brook argue that environmental history unites the Yuan and Ming Dynasties?

2. On page 20, Brook asks, “Dragons belong to Chinese history, but do they belong in this history?”

How does he respond? Do you agree

Why did people in China (and Britain) believe in dragons and even try to study them as an academic topic?

What is the role of dragons in Chinese culture by the late imperial era?

Brook writes, “A dragon could display the authority of the emperor, but it also could signal that Heaven was unhappy with his rule.” (p. 10, last full paragraph)

Is the traditional Chinese interpretation of dragons contradictory? Why should an auspicious symbol of the emperor also signal Heaven’s unhappiness with him?