This project, begun in 1998, features many previously unpublished plays by British women playwrights from the late-eighteenth and early-nineteenth centuries. I am co-general-editor (with Michael Eberle-Sinatra) of this site.

Visit the site

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This year-long public reading series of plays by Aphra Behn, Susanna Centlivre, Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie was led by Mallory Catlett and Gwynn MacDonald of Juggernaut Theatre. I participated in some of the events and served as a project advisor.

Visit the company's site for the project

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A series of small, working-group conferences, held in conjunction with the North American Society for the Study of Romanticism (and in 2007 with the British Association for Romantic Studies), have brought together scholars engaged in innovative research on British theatre history of the eighteenth and nineteenth centuries. More information soon about upcoming events in this series.

Visit the page about the 2007 gathering in Bristol (UK)

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Published by Routledge in 2004, this collection of essays features pieces by a number of scholars of British Romanticism on contexts and interpretive approaches for Baillie's dramatic writing.Visit the publisher's page

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This overview essay for Literature Compass examines the kinds of issues important to study of women's dramatic writing in the British Romantic era.Visit the site

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Published in November 1998, this special issue, British Women Playwrights around 1800: New Paradigms and Recoveries
(Issue 12) features a series of essays on British women playwrights of the Romantic era.Visit the journal's archives

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Published by Routledge in 2019, this collection of dramatic writing by British women of the late-eighteenth and early-nineteenth centuries was co-edited with Michael Eberle-Sinatra of the University of Montreal and a group of distinguished teachers and scholars of women's dramatic writing. Visit the publisher's page.