The BWP1800 site's approach to mounting plays has from its inception been purposefully eclectic.
We believe that it is better to mount a play because a colleague
finds it interesting (and worth working on) than to try to determine
the most "important" plays and mount them. We try to keep the editorial process straightforward,
the editions accurate, and our primary goal increased accessibility
and usefulness rather than definitiveness; this approach takes
advantage of electronic publishing's allowances for revisiting
editions to redesign or enhance them if doing so can contribute
something to emerging scholarship and teaching. We never forget
that it is a powerful thing to make texts that are hard to get
easy to get. By providing scholars with a small amount of logistical
and technological support, we have found that many choose to share
their work with colleagues rather than hoard their interesting
discoveries. Our experience shows that at present publishing online
helps to create print publishing opportunities for the plays of
women dramatists rather than preempt
them.
Over the next few years at the new website (to be unveiled in
the fall of 2008), we plan to continue to mount plays that interest
scholars and teachers in the field. We anticipate mounting several
plays by Hannah Cowley, Elizabeth Inchbald, and Joanna Baillie,
another of Mariana Starke's colonial dramas, and other yet-to-be-determined
plays by women playwrights whose work may not yet be very well
known. We encourage users of the site to let us know what plays
you'd like to see mounted, especially (but not solely) in the form
of proposals for new editions.
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